Not on our watch! – Google
When talking about his own sexual experiences as a teenager Milo said the exact same thing Eve Ensler has written in the Vagina Monologues: “it was a good rape”. Strangely enough it only caused a mild controversy in the case of Ensler, who then adjusted the words of her play a bit and everything was fine. On the other hand cretins and retards are now calling Milo a pedophile for saying he didn’t find having sex when he was 13 traumatizing. Newsflash, fuckwits: having sex as a teenager doesn’t make you a pedophile, and it doesn’t even make your partner one if you’re biologically mature. Pedophilia is the desire of biologically immature children without secondary sex characteristics, something that does not apply to teen boys who already have erections. Having sex with them is considered statutory rape, as they’re under the age of consent, obviously, but it’s not pedophilia.
Anyways, it’s pathetic how scum like Lena Dunham get away with molesting their own siblings, Eve Ensler gets away with calling the rape of a 13 yo girl “good”, but Milo talks about his feelings about getting molested and it’s reason enough to decry him as a sex offender of sorts. It makes me sick how people are unable to think beyond pre-digested thought panels served to them by the media.
When there’s a discussion about male suicide the main narrative is usually the feminist one about how “toxic masculinity” makes men suppress their own (or each other’s) feelings, resulting in a higher number of suicides. Now that feminism is losing some ground this narrative was begrudgingly supplemented with the confession that men usually don’t have personal or institutional support networks like women do – a strange thing in a society built to serve men at the expense of women if you ask me -, but this is turned on its head by implying it’s also the result of toxic masculinity. The mainstream notion about male suicide is something like this: men have it so much better than women, yet they suppress their emotions because men are emotionally stunted neanderthals, and this leads to suicide. The proponents of this notion seem to agree that keeping silent about small problems is 4 times more unbearable than real hardships, which seems quite peculiar to be honest.
The simple truth is that men have more problems than women. If you saw a statistic saying indonesians have 4 times the suicide rates of germans your immediate guess would be that indonesians have more problems and hardships, right? The same should be the case for the statistical difference between men and women as well, only nobody seems to entertain the thought because it’s going against the prevailing feminist narrative.
So let’s analyze what’s really going on by looking at the leading causes of suicide in different age groups.
1. Childhood suicide
The leading causes of suicide for children are:
2. Teenager suicide
The leading cause of suicides for teenagers (apart from things filtering through from the previous bracket) is romantic failures. Teenaged boys realize that for about 90% of them “dating” is not a joy but a serious, continuous effort; apart from the most popular guys none of them receive any attention, praise or interest from girls. What feminists say is a sexist stereotype against women, namely that they’re passive in dating situations, is what guys experience first-hand: if they don’t try to initiate contact nobody gives a shit about them. Since most girls receive more attention than they can handle it never crosses their minds to initiate contact with ‘average’ boys. Many men never receive a single heartfelt romantic compliment in their entire lives. This is soul-crushing, but boys are raised to never complain, and anyone can imagine the backlash if one of them would start lamenting how girls never compliment him. Ever.
So boys learn to ignore this, but it still undermines their sense of self-worth and self-confidence.
Add to this the fact that one of the most important hormone of sexual thirst is testosterone in both sexes, something which guys have about ten times as much, and you can realize how dating is a pressing biological urge for teen boys while little more than an interesting pastime for teen girls. This is of course necessary for natural selection to work properly – women have to control their urges better than men to be able to choose the fathers of their offspring -, but it creates an environment where male intimate needs are never quite met. Since popular boys have the same urges as average ones, and no reason to suppress them, they enjoy practically unlimited attention from girls at the cost of average boys getting rejected all the time. Why would a pretty snowflake care about Average Joe when Lead Singer Mike and Football Captain Aiden both show some interest in her (no matter how superficial and fleeting that interest might be)? So for most teenage boys the choice is between facing constant rejection in the shadow of luckier guys or abandoning initiation of contact altogether which equals guaranteed loneliness.
This could easily lead to suicidal thoughts for boys as they feel they face a lifetime of loneliness with no chance of finding a suitable partner. Most girls never experience this feeling because even the below average ones receive a certain level of male attention, so for them there is a guaranteed consolation price, they just have to settle for it. There’s nothing like that for guys. Girls know they have intrinsic value, but most boys feel they are only valued for what they have, if that. They realize nobody will ever love them for themselves, and it presses them towards risk taking, being competitive, and sacrificing things for success, to earn female companionship. Those who don’t realize this or don’t have what it takes to succeed are turning into the “nice guys” and “manboys” feminists love to deride for not being attractive and useful enough to women.
3. Adult suicide
It’s not hard to notice the common theme: the most frequent causes of suicide are either specific to men, hit men significantly harder, or have safety nets for women only. Waving all this away with the notion that everything would be fine if only men were able to talk about their feelings is pretty much retarded, but of course our societies leave us no other choice considering how straying from the “women have it worse” narrative is forbidden. If you’re unwilling to notice that men are killing themselves because they have serious problems you must find some sweeping pseudo-psychological narrative to cover the truth.
Strangely enough the patriarchy never shows up to help men in tough situations; their male privilege seems to malfunction right when they would need it the most. On the other hand women seem to be immune to most of the aforementioned problems because society is set up in a way that protects their innate privileges and grant them artificial new ones. The signs of “patriarchal oppression” feminists are up in arms about are not cause for suicide; that there are more male CEOs or politicians means fuckall to the average women. The signs of the so-called oppression of women are always abstract and never manifest directly in an individual’s life, unlike male problems that are direct and severe. If you realize this the feminist explanation for male suicide (ie. that men are stoopid) looks not only asinine but destructive – it prevents help from reaching those who need it the most.
It’s not really news but assclowns on the internet are offended just now that in hollywood’s version of Ghost in the Shell the main protagonist will be played by Scarlett Johansson – a white woman!!! I have three things to say about this:
First of all, white characters are routinely blackwashed nowadays, and if you don’t find that equally as offensive as whitewashing you’re a hypocrite whose opinion is worthless.
Secondly, both Hollywood and the US are majority white (and no, this is not a “problem” to be solved), which means the new GitS movie will be made by mostly white people, for a market consisting of mostly white people. Producers are free to think that hiring white actors will make them more money, that’s not racism. Accusing them of giving roles to whites just because they hate blacks/asians is clearly retarded since they only ever care about profits. And since they have bought the license to GitS it’s entirely up to them to do whatever the fuck they want with it. It’s not a “japanese movie” any more. If asian folks don’t like the idea of white actors in GitS they shouldn’t have sold it to a white studio in a white country. Hollywood is a business and it’s under no obligation to promote anyone or anything at its own expense, be it asian actors or wretched ideologies.
Finally, if you think whitewashing or cultural appropriation are real problems it’s obvious you hate whites and/or cultivate an extraordinary amount of white guilt. You can try hiding behind the excuse that hating whites is not racism, it won’t make you any less hateful. Just like how black or asian people are allowed to freely reinterpret or reimagine any form of art, white people are allowed to do the same, and it doesn’t suddenly mysteriously become racism when whites are doing it. And nope, no amount of braindead mumbo-jumbo about power structures or institutional fuckery will change the fact that if something is not racist when some races do it then it’s also not racist when other races do it. Trying to argue otherwise is just proof again that you hate white people because you’re a bigot.
So, basically, if you have a problem with ScarJo in GitS just because she’s white, go fuck yourself you retarded racist crybaby.
ps. I know she doesn’t like being called ScarJo, that’s why I’m doing it, because who in their right minds would call a nickname like this “violent”?! Fuck me, people are stupid.
Original comment on reddit, quoted in full:
I’ve been reading “Loving Men, Respecting Women: The Future of Gender Politics” by Tim Goldich. In it he cites a quote from the Daily Bruin (1996), extracted form a book by Cathy Young (Ceasefire!: Why Women and Men Must Join Forces to Achieve True Equality). It encapsulates the attitude of many feminists (and dare I say it, women in general):
In a 1996 article in the campus paper the Daily Bruin, UCLA student Jessica Morgan calls it “creative feminism.” Women, she asserts, should employ “a combination of feminist ideals and the advantages that come with being female” to achieve their ends: fall back on feminism if they feel sexually harassed but on femininity if they need to use sex appeal to get their way; refuse to defer to men but rely on them to do manly things like squash bugs. “So men are confused, and I say ‘good,’” adds Morgan. “The more confused the men of this country are, the easier they are to manipulate…. The more easily they are manipulated, the more likely it is that we’ll get what we want—whatever it is that we want.”
This is what I have found so aggravating about feminism for the last 40+ years. Most of the time this attitude remains largely unspoken, at least publicly, but this woman has laid bare the way many women think of men.
Who could be the best advocate for feminism? Who is the one person amongst the living who encapsulates the spirit of feminism perfectly?
If we’re looking for the avatar of feminism, this person must meet a certain set of conditions:
Drumroll please… The embodiment of feminism is Christina Hoff Sommers.
She passes all those tests with flying colours, plus she has some added bonuses as well, like an academic background, a high level of dignity and respectability, and a certain air of femininity as well. If there is a human being on this planet who is perfect for representing feminism, it’s her.
Now, what does it say about the actual feminist movement that it ostracized her, more often than not calling her an “antifeminist”?
It says that the feminist movement does not represent what is written in the dictionary about it. Since she represents all the values associated with ‘dictionary feminism’, the opinion of any given feminist about her is their opinion on dictionary feminism. What they say about her represents their stance on the core values of dictionary feminism. When they say she is the antithesis of what feminism stands for today, they admit that feminism is, for all intents and purposes, the polar opposite of what the dictionary says about it.
She cares about equality, she doesn’t hate men, and she only deals in truth. This makes her an antifeminist. What is a feminist then?